Tuesday, April 24, 2007

& Skraps [TOKYO]



I'm in my sweats, ready for bed. It's silent in my apartment, cold outside. Two towells are blowing in the wind, hanging from the clothesline outside. Will it be sunny when I wake up tomorrow? What am I doing in Japan?

These are the two questions I'll sleep with. The first isn't up to me. The second one...I feel like the towells flopping in the wind. Directionless. Not sure where it will take me. The memories from Tokyo, they're the stove that miraculously keeps me warm tonight.

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Tuesday, April 10, 2007

TOKYO videos

John Tejada, at Yellow




DJ Frankie (Franky?) at Hatos party in Nakameguro


Tsukiji Fish market live auction


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Saturday, April 07, 2007

...7 to 11–––window dressing

These pictures aren't all of windows. I don't mislead. But they are symbolic of my week-long peek into the desert of electricity and concrete that is known as TOKYO.

I'm in OSAKA now, looking out of my window. BBC News in the background–bombs in Palestine, the idea of global warming coming to fruition. OSAKA castle–white walled and mint green roofed–stares me down through the rain and fog. It's reinforced in the front by a huge oval stadium, at back by a thick patch of forest and the OSAKA skyline, and to my right by a string of cherry blossomed trees along the river. A subdued blend of grey, pink, mint green, moldy green–and a kaleidoscope of umbrellas. It's raining, but not in my heart, Roy Orbison.

Here we go:

"Watch TOKYO wake up" window. Peace and bracelets from the sunrise over TOKYO. This is Thursday, around 5:30am, in our room at the Mandarin Oriental hotel in Ginza. We were listening to PANDA BEAR. I didn't pay for this hotel. I'm happy about that.
"What do you think about this issue" window: A walk along Omotesando Ave–Tokyo's answer to 5th Ave–found us participating in a magazine survey. The question: "The income gap in Japan is widening. What do you think about this, from your experience living in America?" You can see my mom's answer below. Maggie's struck a similar note (need for equal pay/opportunity for women). I said the gap here in Japan is the smallest in the world, but if change is needed, it's got to be a reduction of the extreme hours the corporations demand from their employees.
"This smoke blesses" window. Senso-Ji, a Buddist temple in Asakusa. It was completed in the 7th century, which makes it the oldest in Tokyo.
"Which way is up" window: Prada store in Omotesando.
"Shot from the shoe" window: Kabuki-cho looking on Shinjuku. Contrast is apparent, is it? Or is it that the business district (shinjuku) isn't so distant of a cousin to the male entertainment superplex (kabuki). The sleaze of Kabuki's sex district is concentrated to the point of self-parody. The same goes for Shinjuku's enormity, and disregard for the human need to see the sky. These guys stand outside the parlours and give averted eyes. Foreigners are told not to approach. It's one of those things that, if you knew the culture and the language, walking around there at night would scare you, and you definitely wouldn't take pictures of them, from the street, behind their boots.
"Too much money, 1980s architecture" window: "How do we tell the world that we have more money than we have time to spend it," the corporation asked the architect. "Hmm....how about a topping the structure with a giant turd plated in gold?"

Magic WINDOW––come to Japan and peer out there with me.

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Tuesday, April 03, 2007

Hatos party (& the DJ Franky)

Friday night:
REI and Blunt from the Hatos crew in Tokyo (see previous post) invited us to their private party at the studio in Nakameguro. When we got to the top floor, we took to the open-air deck and saw this...
In the long room serving as the dance floor, Blunt played first. He mixes all kinds of samples over dub drum tracks. Skateboard decks and record decks; the room was lined with book shelves on the other side. Every shelf stuffed with magazines. We could imagine those guys camping out up there for days at a time getting high off art and other drugs.
Free alcohol. Priceless view. "The best sound in Tokyo," said the guy who worked at a sound company sound. He's next to Blunt in this photo.
So, about Franky. You just have to hear him to believe him, or to believe me. As you can see, he looks like John Belushi swallowed Kim Jong Il.
But on the decks he's not a drunk or dictator. He's a technician. He's a crate digger, for the most perfect dance music on the planet. He's from outer space, just came down to earth to rip up the dance floor for that Friday night. If you're out there, Franky, please give me your contact.
Luckily, it wasn't until Franky had finished that the cops decided to crash the party. This is from the deck on the morning. That person asleep in the foreground had been asleep throughout the entire party.

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Sunday, April 01, 2007

YELLOW with John Tejada (& Sri Lankan G)

Where to begin? How about with...this city can't let me down. It just can't. It's because of you, Tokyo. You're that great. I love you, I love sweet you, everything about you. I'm drunk and high off shit you can't buy. It's 8 in the morning. I'm all over the keyboard. The last 24-36 hours were a month of living squeezing into that time.
I'll save Friday night's recap for another time. Tonight was at Yellow. The DJ: John Tejada. We got there at 1:30. It was packed; one in, one out. We got in. We got in. Met people from England and Japan and France and Germany and this girl who sounded and looked German but she wouldn't tell me where she was from and an electro band from London who had been in Austin the past week for SXSW (check 'em: Spektrum)...
... and a guy from Philly and a photographer from Manchester who had been commissioned by KSwiss to shoot the festival with Lauren Hill earlier that day and a guy from Detroit who told me about going to see Theo Parrish weekly and being one of three white guys there and a girl from Toronto and a crew of lads from London who were jawing out of their ears and a bunch of Japanese people who were super super nice and a guy from Canada who had organized the party that night. He invited me to the DJ booth with John Tejada. So I met JT and watched him cut up white vinyl, at 5 am, in front of 800 people.
In the best soundsystem in the world. Above you can see his hands, only his hands.
"They long to be close to you," says Isaac Hayes. Closer, closer, to you, Tokyo, that's where I'll be the next 5 days. Maggie is asleep. I'm eating a Starbucks sandwhich (I temporarily ended my lifelong boycott because it looked that perfect). I wish I could tell you about the last 24-36 hours in live, in person. For now, I have pictures, and later video.
Oh yea, earlier, before we went to the club, we saw the restaurant where the fight scene in Kill Bill was filmed. You know, where the shy Japanese girl with balls and chains tries to slice up Uma Thurman, and the 6, 7, 8's are playing 50's rockabilly in the background. We went there and walked around. "Never gonna say goodbye," says Isaac, "no matter how hard I try."

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Friday, March 30, 2007

OBEY & W.K. Interact

After an unforgettable trip a month ago, I'm back in Tokyo this weekend. I'll spend the next three days looking at art and walking around. At night, my sister and I will be dancing in a club, preferably one that's packed and sweaty. Today I hit up Shibuya first, walked around for four hours, and got to four museums. In between, I spent a while in Yoyogi park, one of Tokyo's best cherry blossom viewing spots. The weather/day was perfect.
Called the "East/West Propaganda Project," this exhibition is on display in Tokyo Wonder Site in Shibuya. Shepard Fairey aka OBEY lives in LA and attended Risdee. It was there he started doing his iconic sketches of the French wrestler AndrĂ© Roussinof, known as "AndrĂ© the Giant." He took his drawings to the streets of LA and adapted the message "Obey Giant." The characters in his drawings today are politicians, policemen, and activists. Not surprisingly, the "obey" message is a call–in form of sarcastic propaganda–to do the exact opposite. One of his works is a picture of a menacing policeman with the quote, "I'm gonna kick your ass, and get away with it." He founded the magazine Swindle and is own apparel line Obey Clothing.
W.K. Interact is from France but has lived most of his life in NY. Early on, he showed an interest in depicting the moving body. In high school he would watch the dance class, sketching the dancers in action. His obsession with capturing the fluidity of body movements is prevalent in all of his work today. In a few wall-scale paintings I saw today, bike riders were flying by, the last half of their body blurred by the motion. It looked as would a low-shutter speed photograph.
Of the two, I preferred W.K.'s stuff more, if only because OBEY's tri-color, stationary prints looked lifeless next to Interact's dense, moving compositions. Yet, neither artist was really impressive. Maybe I set my hopes too high. Or maybe these artists are suitable for this environment. Perhaps their stuff only makes sense in its original context–on the street.

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Sunday, March 25, 2007

Ba Ra Kei "Ordeal by Roses"

Yukio Mishima was a famously enigmatic author who committed suicide in 1970 at the age of 45. Eikoh Hosoe took these dark, mysterious photos of Mishima just a short time before his death. The props used in many photos symbolize restraint, a theme which is common in Japanese society. Usually the prop restrains Mishima's mouth, which could be taken as a sign of a desire to utter something forbidden.

These pictures were on display at a gallery in Fukuoka a month ago. All are in B&W; in almost all the pictures on display, Mishima is the only model. The house in the background of the picture below was actually the novelist's last residence before his death. The mold and cracking on the once-decadent baroque style front steps belies decay, the smell of death. These two images, in particular, have stuck in my mind–like something you don't want to remember but will because it makes you.

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Hatos

Hato means pigeon in Japanese. Hatos is a collective of artists based in Tokyo who do everything from live painting and music to tee shirt design. I met Rei and So from Hatos last night at an event they did in Fukuoka. Rei did live painting while So played rollicking, droning dub. Live painting is really common at club events here. The finished product hangs, glowing, for people to look at while dancing. I asked So what they were going to do with the art from last night, a 12-foot long canvas with white abstract lines against black. He said I could buy it for 3 million dollars.

Here are a couple of works by the Hatos artists. Their client list is a mile long; the recent tour is sponsored by NorthFace. The close relationship between art and fashion, even mainstream brands like NorthFace, somewhat justifies the exorbitant price of clothes here.

Hatos.org

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Saturday, March 17, 2007

Michael Mayer

He came to play at Keith Flack in Fukuoka on Thursday. He started playing at 2:30 and I had to be at work at 8:00. I didn't sleep much, but it was worth it. I got a nice chat in with the head of Kompakt records and danced in front, next to the floor to cieling speaker, to the dark stuff he spun.

He is super nice. We talked for a while about random stuff...spacious dance floors and nice crowds in Japan ('there's no sex on the dancefloor'), playing on the beach in Mexico for New Years eve, incredibly quiet alleys in Tokyo, his favorite place to play (Nitsa in Barcelona), Berlin vs. Cologne, new releases from SuperMayer and Riccardo Voucher, his last trip to Tokyo–he coincidentally had a seat next to Westbam and during 10 hour flight they broke down the history of techno music.

Also on the bill for Mule Musiq's night:
Koss aka Kuniyuki Takahashi
Toshiya Kawasaki

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Tuesday, March 13, 2007

Out of control China

Photographer Edward Burtynsky recently published China, a collection of pictures documenting the effects of the country's blind devotion to manufacturing. The series of shots on the Three Gorges dam present a post-apocalyptic landscape. They remind me of the land in Cormac McCarthy's The Road. The dam project is the world's largest construction site. In less than 6 months, it has displaced 1.2 million people and destroyed 11 cities.

Above is an apartment complex somewhere in Shanghai. Below is a chicken plant.
His website: http://www.edwardburtynsky.com/







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Friday, March 09, 2007

absolutely edo (tokyo)


Tokyo, like any other huge city, is bustling with people going everywhere. Every face has it's own story; every pair of shoes it's own complaints and fears in life. The downtrodden are many. Long faces reveal the power of the city. It can suck the life out of a man. People who look like they're tired of it all. Nameless hoards that swell and subside organically down the streets and through the stations. Everyone is under the aegis of the rush, and the omnipresent yet invisible energy it creates.

This collective stress comes out at night. The train stations are most exciting after 11:30 pm, an hour before the transportation arteries of the city close. After this a cross-town cab ride is a privilege only affordable to people whose name is on lists. During this hour, Tokyo is drunk, loud, multi-colored, in groups, laughing, soaking up the infectious glee of a Saturday night.

About the clubs we went to on Friday and Saturday night, Womb and Space Lab Yellow:

Space Lab Yellow is tucked deep inside an indistinguishable apartment building off a side street near Aoyama. On the outside, it's a sleepy, mundane building of gray brick with a small car garage. Inside, down two flights of stairs, it's a favorite stop for DJs who play in a different country each week. Just one guy stands outside, in front of a unmarked door, opening it for the people who slowly filter in. The effort to keep it exclusive were bracingly effective: we entered around 1:00, prime club time, and if we didn't have our friend Maru pointing to the door we would have never found it. No people outside, no noise, no nothing.

It was similar outside Womb, except at Womb there is a sign. Yet 12 inch by 6 inch dimly lit letters are not exactly proportional for a club that can fit two thousand people. The sign is mounted at the entrance area, an airport-like tunnel that takes you subterranean and winds around three corners, until you finally reach the entrance. Then you hear the thumping and get the same feeling in your stomach you get when you're a kid about to ride a roller coaster.

Let me go back to the outside of these two places. You're told that clubs in Tokyo are intentionally hard to find. You don't know what that means until you go there. Inside these clubs there are 6 million watts of energy–electric and kinetic and phonic and human–drilling bass tones and radioactive substances through thousands of bodies. Outside you can hear the hum of vending machines across the street. When you leave Womb at a modest 6:00 am, there is a troop of finicky club staff peppered from the door down the street for two blocks. With lightening urgency, they "shhhh" anyone who talks over whisper level. Keep in mind that at this point your ears are so shattered that you can't really hear anything, and the early morning sun makes your eyes feel possum-like.

It makes no sense–sure didn't then, and still doesn't know. There are so many mysteries, questions, curiosities that arise everywhere you go. "What does that sign say" or "why is that guy have on four pairs of shoes" or "how many colors is her hair" or "did he find those clothes on another planet"?

Enigmatic, energizing, magical, mind-boggling. I love it. I didn't want to sleep for fear that I'd miss something. It was 4 days/3 nights of energy-boosting fun that will blast me to a month from now just thinking about it. I'll go back there in late March when my mom comes to Japan.

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Tuesday, March 06, 2007

Tokyo=Future brains



4 Days in Tokyo
3 Meals from the same Indian restaurant in Shinjuku
2 Nights in A+++ clubs 'til 7:00 AM
1 Happy Patrick

Here's a video I made to show my appreciation for my favorite corner of the earth.

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